Tuesday, October 29, 2013

Mastering the Alpha Male

I met Ann Jacobs at my very first Romantic Times Convention back in 2004. Because authors are often seated alphabetically at book signings, we've been next to each other, not only then, but several times since. I'm pleased to welcome Ann today to talk about the wonderful Alpha Male characters we all know and love.

What is it about romance readers that draw them to the Alpha Male, that commanding, sometimes exasperating guy they’d most likely strangle if they had to live with him every day?

I believe it’s the fantasy—the secret dream of every woman to be protected, wrapped in the strong arms of a man who will take on all her problems and make them go away by the sheer force of his will. On an even deeper level, it’s the need to escape a modern world full of responsibilities, decision-making, high pressure demands of bosses and society in general…to relinquish the iron control she must exert on a daily basis to a man strong enough to shoulder all those.

A hero to die for—he is hard to buy in a contemporary setting unless… Unless he’s a desert sheikh to fulfill a modern woman’s harem fantasy, a larger-than-life figure so dominant he can master even the strongest woman… Unless he can reach into a reader’s psyche and make her think, “I want this man to take me—anywhere he chooses to go.” That hero must connect with the reader on every level: physical, emotional, sexual, but mostly emotional. He must control the heroine (and thus, the reader) with care, with love, with an understanding of her needs that transcends her own self-knowledge.

Alpha males—they’re strong men, strong enough to tame stronger lovers. Sometimes unabashed Alphas are easier to sell to readers when their stories are set in worlds apart from the contemporary world where we all live, which I believe is what drives authors whose favorite story worlds are contemporary to detour into fantasy worlds of their own making.

Move basically contemporary Alpha heroes into a fantasy world, and an author’s ingrained inhibitions can take a backseat. I did this in a brave yet often terrifying futuristic world that I created, a world very loosely based on premises George Orwell put forth in his classic, 1984, in which Earthlings’ personal freedoms are first eroded and then destroyed.

The result: ten loosely connected novellas based on heroes who refused to accept strictures placed on their sexual freedom and who built their own societies in which there were no sexual bounds, no societal taboos to threaten and emasculate them.

No Bounds, my newest release from Ellora’s Cave Publishing, is the first, chronologically speaking, in the novellas. It is the story of the strong Alpha Dominant who follows and founds a colony off-planet after being banished from Earth—a resort where his fellow Earthlings may safely pursue their forbidden fantasies. No Bounds and the nine novellas (Note 1) that follow demonstrate what happens when Mankind’s personal freedoms are abridged—and how strong men and their even stronger lovers find not only sexual freedom but also the happily-ever-after endings they could not have achieved back home.      

 Ann Jacobs

Note 1:


  • Quest for Pleasure series: No Bounds, Topaz Dream, Gates of Hell
  • Pleasure Partners series: His Pleasure Mistress, Pleasure Slave, Enslaving the Master, Imperfect Partners, Perfect Master, Her Alien Masters, Training the Master, Alien Pleasures, Alien Masters
Activity

Your turn! If all the rules were off, if no one was there to tell you, you can't....what would the men be like? The women?

Brainstorm on paper (in your journal is a good spot. Napkins work well, too!). Make a list of characteristics for each gender.

Then write a scene of interaction focusing on dialogue. Let the sparks fly!

Diana


Sunday, October 27, 2013

Old pictures

I came across an old photo tonight - a set of photos, actually. Three of them. In each I'm wearing the same costume as my eighteen-year-old self poses with King Arthur in one, with Lancelot in another and with the director in the third. The play is Camelot; I played Guinevere and am in my Act I, scene 1 dress with my hair done up and my bearing, regal.

Looking at the pictures of Arthur and Lancelot made me smile. I used to call the two of them my two towers because they were both six foot two and I was (and am) five foot four. Standing between them at the end of Act I when we're all decked out in our rented costumes, I felt alternately protected and small.

But it was the one of my director and myself that, for some reason, struck a chord with me tonight. I'm pretty sure it was a secret to no one that I had a tremendous crush on him back then, despite my protestations to the contrary. He was off-limits, though, for several reasons, one of which was that he was a teacher and you just didn't flirt with teachers. The other, the big one, was that he was a Brother - an Irish Christian Brother - and had already dedicated his life to God. Those of you who've read "Love at Third Sight" know I consider going against another woman to be fair game, but going against God? No dice!

Still I kept in contact with him via letters for a few years -- until I met the man of my heart as well as my dreams. It probably isn't coincidence that both my former director and my husband are both tall, dark-haired Italians (my husband's shorter than my director, though. I don't hold it against him) who were holy men. I wrote my director to tell him I'd met Steven and we were going together, but the letter came back. I'd lost the address and had guessed -- and guessed wrong. I never tried again.

But this is my retirement year. I became a teacher, too. And seeing that photo made me wonder if he's still teaching or if he's now retired. I remember his youthful energy and spark, his love of learning, his artistic talents...and find it hard to imagine him old enough to be on the other end of his career. Yet here I am, so therefore, he must be as well.

It's funny how, when people drop out of your life, they cease to age. In your mind they remain the same as they were when they left. I certainly don't look like the girl in those photos. My hair is grayer, childbirth has added pounds to my frame. I found a recent picture of my King Arthur. His hair is shorter now and his lanky-ness has grown into maturity, but I still see my Arthur in his eyes. If I were to see him on the street, I think I'd recognize him, so maybe we haven't changed too much?

I spent some time doing an online search for my director - just to see if I could find him. I couldn't. The Irish Christian Brothers have gone through some hard times and will, I hope, emerge wiser for it. But their website doesn't list placements. If he's even still a brother.

And I find it doesn't matter. I'll paste the photo into the new album and think of those times fondly. I hope he's had a good life, one that has brought him happiness, friendship, and love. Mine has. It makes me wish the same for all.

I'll close tonight with my traditional admonition, but know my thoughts are decades in the past, at a time when I knew I wanted to write but didn't yet have the courage to try, a time where a young, handsome teacher understood the growing pains of a young woman and guided her in a more suitable direction, a time when I was the queen and several bowed to me...

Play safe,
Diana
PS. If you'd like to read "Love at Third Sight", it's in the Timeless Love collection, on sale for a limited time only!

Tuesday, October 22, 2013

Finding inspiration

Many of my recent posts have been about gearing up for NaNoWriMo (like this one, this one and this one) and, if you don't yet have an idea for your novel, this post might help with that, too.

But today's post isn't just about finding an idea for the upcoming write-a-thon, but about finding inspiration in lots of places. About a year and a half ago I wrote about using art as inspiration, but really, that spark of creativity can be found in just about any object or person. I once wrote a (very) short story about a man's profile. I was eating in McDonald's with my family (we were squeezing dinner in between dance classes and basketball practice. Sue me.) and happened to notice the man in the booth across the aisle from us. I did a double-take because I thought for a moment that I was looking at a full-sized, in-color Roman coin. His profile was classic Roman aristocrat and I wondered if his bloodline included the Caesars. A glance, a look, inspiration and a short story.

But little things....mundane objects....the odd spoon in your silverware drawer, a jagged stone off the ground, a leaf...can also bring inspiration and spark entire stories in our minds. That's the cool part of being a writer. Our minds never lack for stories. Just give us an object and a few minutes of thinking time and we're off.

Activity

1. Close your eyes. WAIT! Read all the directions first and THEN close your eyes.

2. Count to five while turning away from your computer.

3. Not facing your computer, open your eyes and focus on the first thing your gaze lights on.

4. Using that object, no matter how mundane, write a scene in which it plays an integral part. It can become the protagonist (personification) or will, perhaps, be an object used or wanted by the protagonist. Or maybe the antagonist uses it against the protagonist.

5. Okay, now you can close your eyes and follow from #2. :)

Play safe and leave a tip!

Diana 




Thursday, October 17, 2013

A request


Back in the early part of 2012, I wrote a special story for some special friends. Heath Vercher asked me to write a short story detailing a very special Valentine's evening and I was happy to oblige. I don't often write commissioned stories, but this was for a wonderful couple so very much in love, how could I resist? He chose the setting (Houston, Texas) and the hotel (Hotel Zaza) and I supplied the sizzle and steam. His wife loved the story and they gave me permission to publish it as A Night to Remember (for a direct Amazon link, click here)

I wish this story has a happy ending, but it doesn't. At the end of September, Heath's wife, Tania, was killed in a case of road rage. Their son was taken to the hospital in critical condition. No, the anger of the driver wasn't directed at them, but as his own wife and child. In an attempt to run them off the road, the driver ran into Tania instead, killing her instantly. AJ, their two-year-old son, died the following day.

The enormity of such rage, rage so huge it wanted only to hurt, is something I don't understand. But I cannot sit by and simply shake my head and say, "That's awful," or "That's too bad." In the face of hatred, all I know how to do is love.

And so, from now until the end of the year, all proceeds from A Night to Remember will be donated to Families of Spinal Muscular Atrophy. Heath has friends who have a child with SMA and he and Tania used to help at fundraisers for the organization. When I told him I wanted to do this, needed to do this, he suggested donating to this charity in their name.

Let's make this a big donation, folks. The tally starts now, so any copy you purchase between now and December 31st will help out. If you choose to give directly, please be sure to give in the name of Tania and AJ Vercher.

To purchase A Night to Remember in the format of your choice, click here and scroll down the page.

Thank you all,

Diana

edited Friday, Oct. 18th.

WOW! You guys are wonderful! We've raised $100 overnight. Thanks and let's keep it up! :)

Wednesday, October 16, 2013

The holiday made me do it!

This past Monday was Columbus Day in the US and it's got my schedule all goofed up. As a result, I missed posting a workshop yesterday as my brain considered it a Monday. Tonight my daughter said something to me about tomorrow being Thursday already and the truth hit me.

I missed posting a workshop yesterday.

So, for those of you getting ready for NaNoWriMo...getting your pencils sharpened? Your laptops charged? A writer's group near me is preparing by having a party for all participating. Of course, they're having said party the weekend BEFORE the craziness starts so all the writers can be well-rested for November 1st.

It's a good idea, actually, to start clearing your calendar for the thirty days of November, if you haven't already done so. And clearing the writing space you intend to use. I tell myself I write best in a dust-free environment, but that's really just and excuse to put off sitting down and writing sometimes. Vaccuuming, dusting, straightening...all those usually mundane chores suddenly become fun and entertaining when used as a procrastination tool.

So your assignment this week is to clean. Seriously. Clean your apartment, clean your house, clean your birdcages, litter boxes and wastebaskets. Do the cleaning now so you can put off doing it for the entire month of November. Make that window sparkle and blow the dust out of your keyboard. Wash the curtains, mop the floors, change your bedsheets (okay, you might want to do that last one more than once between now and November 1st!).

As my mother used to say, "A clean house makes for a clean mind." I think she was talking about dirty thoughts, but I prefer to think of clean as meaning centered and ready to work. :)

So go clean. Write notes to yourself about stories as you clean. Maybe stories about cleaning? Cleaners? Housekeepers? Maids?

See!?! ANY activity can lead to writing ideas!

Play safe and get ready!
Diana

Saturday, October 12, 2013

If you didn't get your copy of the newsletter, try this link. Lots of information about not one, not two, not even three new releases...but FOUR books that are in the pipeline and should be available over the next few months. Click to read the newsletter, then subscribe so you don't miss out!

Diana




Wednesday, October 09, 2013

Limited Time Only!

For a limited time, Timeless Love is available on the Kindle platform. This collection of short stories is being re-released only from now through the holiday season. Because they're romantic in nature, but not erotic, I've released them under the name Diana Allandale. These four short stories make a perfect gift - or great to curl up with on a chilly fall day.

Visit your favorite Amazon to get your copy today!

Play safe,
Diana


Tuesday, October 08, 2013

Gearing up Part II

NaNoWriMo begins in less than short four weeks. Are you getting ready? Clearing the calendar for November so you can spend every spare minute writing? Telling your spouse, kids, family, friends to leave you alone for thirty days? Obsessively rearranging your writing space to make maximum use of your creativity?

Yeah, me neither. I've got four more week, for cryin' out loud! I'm not pushing the panic button for at least another  twenty-two days!

Of course, I do get my ideas lined up and ready and have one picked before then so I can just start flying on Day One. Although I have yet to make it all the way through the month (I'm not good at getting rid of outside influences), I'm an optimistic sort of person and start out with the best of intentions. So we're keeping positive thoughts on this site!

Activity

Below are several one-word prompts to prime your creativity. Grab your journal and spend a few minutes with each one, writing down ideas, fragments of ideas, phrases, character sketches of whatever comes to mind. This is a brainstorming session, so first impressions only. The fleshing out comes later.

And, before you ask, no, this is not plotting. It's idea-generating. For those of you who do plot ahead, this would be the first step in that process. For you pantsers, same thing. You're not writing the story, you're just seeing if there's a story there.

I've deliberately spaced the words out so you can focus on one at a time. Copy the word into your journal, jot stuff down for 3-5 minutes, then move on to the next word. There are five, so this activity should take between 15-30 minutes. If all you have is five minutes now, do one, then come back as time allots.

Above all....have fun! :)

PROMPTS

1)       oven








2)        autumn








3)          subway grate








4)         stethoscope







5)         physics













Tuesday, October 01, 2013

Not today

Sorry, folks. Life gets in the way sometimes and this week it came barreling through in the form of bad news. Very bad news. You can read about it here.

So no writing today. Surround yourself with the people you love instead. Hug them and give them kisses and tell them how much they mean to you. Don't wait. Do it now. The writing will still be there tomorrow.

Play safe,
Diana

update: AJ died as well. He was two.

Tuesday, September 24, 2013

Finding Significance

In my day job I teach students how to write nearly every sort of paper they'll need for college. We cover six different writing situations throughout the year, the first one being a reflective essay from the point of view of the observer. Today in class the importance of finding significance for your writing came up and on my way home, I thought over what we discussed in class and realized it applies to writing fiction as well as non-fiction.

Purpose

Each time you create a scene or a bit of business between your characters, it pretty much is assumed that scene or bit of business has a purpose. That it's important in one way or another. That purpose might not show up until much later in the novel, but it has to show up. For example, crime novels drop little crumbs of information throughout the entire story. Only at the end does the lead detective put them all together and give them meaning when he/she identifies the criminal.

I'm currently working on a fantasy novel, one I've been writing off and on for decades. Early on there's a scene where my young protagonist has spent his first night away from everything he's ever known and gets himself into a small bit of trouble. Very small. So insignificant I almost cut the scene.

But in discussing  this scene with my husband, I discovered he had a very different take on what was happening. What, to me, seemed to be just a little fun piece of my story, provided important character information to him. With that short, one-page scene, he understood right away the enormity of what the character was about to undertake -- and just how unprepared the character was for what was to come.*

In other words, determining a scene's purpose not only helps the reader, but helps the writer to a deeper understanding of where the character is coming from and where they need to grow.

The "So what?" factor

This was the sticking point with my students' today. So you're going to write about a particular event in your life. So what? Why should I care? Why should I spend my time reading whatever it is you end up writing about?

Good questions for fiction writers, too.

Readers should never shrug their shoulders and say, "So what? Who cares what happens to these characters?" As the creator/author/writer of the story, it's your job to MAKE them care. Write scenes that are significant, not only to the characters, but to the reader as well.

And that leads to:

Identifying with the character

Have you ever read a book and said of a character, "That's me! That's my life!" or "That happened to me. I know exactly how he/she feels!"

That's an author who not only found purpose for her characters and given you what you need to not even think the so-what question, but who has also imbued that character with enough believe-ability, enough plausibility, that you totally identify with him or her. The characters have significance and so do their actions.

Significance. Meaning. Weight. Worth. Importance. All synonyms with good characters and good scenes.

Over the next few weeks we'll take each of these in depth but for now, take a look at the activity below and see how you can start putting this to work for you right away.

Activity

Pull out your current work-in-progress and identify the significance of every scene. Break it down. What should readers learn from that scene: Is the plot moved forward or are important character traits established? Both of these are important and can give the reader significant information. Make a chart like the one below (optional: include another column and put P for plot and C for character significance)

Chapter
Scene
significance

2


B. wakes up under a wasp’s nest*
Shows how unprepared he is for life on his own

If you can't find ANY significance for the scene, ask yourself: does this scene really belong in the story? Why is it here if it has no purpose?

Why do this? Because if you don't, some college kid is going to do it for you...or worse, some reviewer. The LAST thing you want people writing about your work is, "This story has no point"!!!

For NaNoWriMo writers:

If you're a plotter and getting your ducks in a row for November, start plotting your scenes and finding the significance now. That way, come those thirty days, you won't waste time on scenes that aren't important.

If you're a pantser (like me), this will be an activity you'll want to come back to in December when you edit. Ideally you're doing it as you go, at least in your head (using those metacognitive** skills). For now, take a look at your current wip to better understand your own processes.

(Sidenote: use the links if you're not sure what those terms mean. They link to previous workshops on those approaches)

*Same scene in both examples
** Writers tend to call metacognition by a different name: the internal editor

Take care and let me know what you're working on in the comments!

Diana








Tuesday, September 17, 2013

Gearing up

NaNoWriMo begins in seven weeks. Are you ready?

November has become where writers of every level from beginner to well-published throw caution to the wind and attempt to write a 50,000 word novel in a single month. Most of these writers have day jobs and can't afford to take the time off so they cram as much writing as they can into every available minute during the four weeks of November - and many succeed in hitting that arbitrary mark.

Every year I (unofficially) participate in the fun although I have yet to reach the target goal. At least, reach it during the month of November. I start out with great intentions and two weeks in, grades are due and I've spent the last five days reading senior papers. Then Thanksgiving comes and my time is not my own. Too many commitments and too little time :).

But let's make that promise together. This year we will devote every waking moment not otherwise assigned to writing a novel. To getting 50K new words down on paper (or at least onto the computer). We will post our numbers and encourage each other and get darn close if not over our goal! This is OUR year and we are going to do it!

So today's workshop is really preparing for that month-long event. Get out your calendars and clear them now. Write NaNoWriMo in big letters over the word "November." Start letting your friends and family know that, while you might be in the house, you're really going "away" for the month and that you'll have a great big surprise for them on the 30th.

Go on now, go get your ducks in a row so that you're ready. Drop a tip in the jar and shoo!

Diana
:)

Tuesday, September 10, 2013

Writing workshops starting up again

I know, I know. I took a week longer than I said I would. I forgot that my day job started up again last Tuesday (I'm a teacher and that was the first day of school). Should've turned the calendar to see that.

So it's a new school year, the calendar that's run my life for the past fifty-two years (both before the desk and behind it*). Other people run on a fiscal calendar that extends from July 1st to June 31st. Still others rule their lives by other calendars - religious or cultural calendars come to mind.

Our calendars dictate our days to a great extent. In early times, most people simply lived by the seasons, not having any numbering system in place to keep track of the passing of time. As scientific knowledge grew to be a part of civilizations, the days of our lives became more and more important. With the dawn of the Industrial Age and the rise of Big Business, keeping track of hours worked and days on task became even more rigid.

Today most people wouldn't think of leaving home without first consulting a calendar, either a paper one hanging by a desk or a digital one on one's smartphone. In our house, We live and die by the calendar on the fridge. Everyone's work schedules go there, doctor's appointments, book signings, art show openings, birthdays, holidays, special occasions. You will often hear me say, "If it isn't on the calendar, it doesn't exist."

And it's true. In 21st century America we schedule, re-schedule and over-schedule our days, and have for a long time.

Sidestory: I took today off because of a dentist appointment. As I was driving home, the sun was shining and it was a beautiful late summer day. But the light looked different than it had just two weeks ago. Over the summer I'm out and about during the day all the time. I know what a summer day looks like.

But I don't know what a late summer day looks like. Well, I do, but only on the weekends. So, as I drove, I thought to myself, "It looks like a Saturday out here."

The reality, however, is that it looks like an ordinary late summer day. But I work inside during the week. For seventeen years I worked in a room with no windows. Then I moved to a room with a few, but there was an old Quonset-style greenhouse just outside, so I couldn't see much. For the past few years I've taught in a room with a beautiful bank of windows--that overlook a courtyard. So I don't see how the light plays differently at the end of summer except on the weekends. Hence, today "looked" like a Saturday to me.

And that, of course, got me to thinking about my writing and how my characters might think about their days. If I've given them a job where they work inside, how would the light affect them on the weekends? What about their calendars? Do they live and die by an electronic one? a paper one? Are their days their own or do they have to march to a dictated schedule?

And that, my dear writers, is today's assignment. Take a look at your current work-in-progress or the notes for the story you're about to write. Ask those same questions of your characters. How are they influenced by the passing of time? Do they count days? Even though this is my last year of teaching, I'm not yet counting down the days. Ask me again in April, though, and you'll probably get a different answer.

Keep that in mind. A character's answer might change throughout the story. What was important at the start might no longer be important at the end (which is an entirely different workshop!), but it also applies to how they track time. Are they ruled by their calendars? Do they "build in" spontaneity? Or do they just let things happen?

Grab your writing journal and make notes about your characters and their approach to time. Above all, have fun with this!

Diana
Yes, I'm retiring in a year and soon this blog will need to be self-sufficient. Drop a tip to help it keep going!

* I wrote poems about those days here, among other topics. :)





Saturday, August 24, 2013

How I spend my Saturday nights...

I tell myself I’m not going back. That it’s time to move on and explore other worlds, learn other stories.

It’s no good.

I go back again and again and again. Sucked right back into the paths I’ve traveled so many times I could walk them in my sleep. From the desert landing and into the Cleft with a short stop to listen to Zandi’s advice.

You think I’m talking about a book, don’t you? I might as well be. The storytelling is so tight, the worlds so beautifully depicted that I feel as if I’ve stepped into a book each time I visit. A book where I get to write some of the story. Or at least be a part of it.

No, I’m talking about Uru. The lost civilization of the D’ni. Rand and Arthur Miller started it off back when computers were young. Myst, the first in the series, was re-released as RealMyst when graphics got better as technology improved. Riven came next, then Exile, Revelations and End of Ages. But people clamored for more and Uru was conceived. A place for explorers to gather, in D’ni, and solve puzzles together, talk, write more chapters of the D’ni universe. The Path of the Shell was the original expansion pack for Uru, although the plug was pulled far too early and the two pieces never got put together quite the way they were envisioned (although now, if you play Uru: The Complete Chronicles, you have both the trip to D’ni and PotS in one).

Now, however, Uru lives again. A live game with real people to talk to and explore with. Except I’ve solved all the puzzles (many times over). There are no surprises and very little that I haven’t done.

And yet, I go back to visit every so often as if its a favorite vacation spot. I walk around, relive the adventure and see the gorgeous settings...just because they’re beautiful. Its just so relaxing, even walking over the humongous drop off in Kadish or listening to Yeesha in the Bahro cave. The Gallery in D’ni, however, is my favorite spot. The music is haunting and I could listen to it for hours on end.

Which is, in fact, what makes me think it’s time to visit again. As I write this, I’m listening to the soundtrack by Tim Larkin and as the music plays, I can see all the scenes in my head and I want to see them again with my eyes.

Yep. It’s time for another visit to D’ni. Anyone care to join me in-world?

Diana

NOTE: Several of the games are also available as apps for your Iphone and Android mobile devices. Personally, I not only have all of them on DVD (or CD for some of the older ones), but I also bought the bundle on Steam and play them there. Uru Online, however, has it’s own site.


SECOND NOTE: If you choose to enter these worlds, do so with a pencil and paper beside you. The puzzles require pieces of information to be put together – and those pieces are not always near each other. Taking notes and puzzling them out is half the fun!

Tuesday, August 20, 2013

Drat

I just got home from helping pack my parents (it's an on-going process that's liable to take the next two months) and realized I never wrote a post for today's workshop so I think I'm just going to make it official: I'm taking the rest of the month off.

That means no new workshop for this week or next. I'm currently spending all the time I have (that means, when I'm not cleaning out 57 years of stuff my parents have collected in their marriage) writing a new story. It will probably end up around 15-20,000 words...just a short piece for a special occasion I'll tell you about in September.

Now, just because I'm not posting a new workshop doesn't mean you get the time off. Go back through and review previous workshops, work on your own new work-in-progress, read and analyze a good book. Keep the mind sharp and the fingers nimble!

And play safe!
Diana :)

Wednesday, August 14, 2013

Bookshelves

To browse my bookshelves is to browse my history.

Our history, actually. The books my husband and I choose to keep reflect our lives both before our marriage and during. Walk into the study (as we call it) and you could tell the story of our lives by reading the titles on the bookshelves.

We have always had a study. Even in our first apartment we turned the extra bedroom into a room of books. Of course, back then we couldn’t afford shelves, so most of the books remained in boxes.

But that was okay. The ones we really wanted were out (The Lord of the Rings, for example) and we knew we weren’t going to rent forever. Might as well leave them boxed for the next move – which was into our first house.

That house was about 1400 square feet, but it had three bedrooms upstairs. We took the back bedroom as our own, the tiny bedroom as storage (no attic) and the front room as our study. I never had the privilege of meeting my husband’s grandfather, but the one and only bookshelf we owned was one he’d built and my husband had inherited. Steven built all the bookshelves for the study based on his grandfather’s design.

When my daughter was born, the storage room became the baby’s bedroom. Then my son came into the world and we round-robined the rooms: ours became my daughter’s, we moved into the study and all the bookshelves moved into the hall. Notice we did not box up the books and put them into storage. We overcrowded the house rather than not have them available.

When we outgrew the house, we deliberately chose a new house with extra bedrooms. There are four of us, so naturally we chose a five bedroom Queen Anne. A bedroom each for my son and daughter, one for my husband and I to share, a tiny room for my loom and one beautiful bedroom with a balcony that overlooks the park for the study. Yes, the books got the best bedroom of the house.

So how many books are we talking? I actually counted at one point and stopped at a thousand. Some are small – scripts for plays don’t take up much room – until you have over a hundred; we quickly outgrew the shelves my husband had made. I found a picture in a magazine that showed a set of shelves that took up an entire wall and went around a door. My husband, bless his soul, said, “Sure. I can build that!”

That's our cat, Aspen, in the corner.
 He thinks HE owns the house.



 And he did. The door to the study originally had just the center section as clear glass. In the room’s makeover, he took the door down and stripped the seven (seven!) layers of paint off it and found a beautiful red maple underneath. We both do stained glass work (him more than me lately) and he designed a set of windows that depict the four seasons.

When we found molding that matched the window, we bought it and used watercolor paint, thinned to make a stain, to color in the leaves and vines. He built cupboards down below with a wide shelf for oversized books. Why cupboards? Because I wanted a place to hide the messy stuff like papers and maps.



The turned corner. And some books I'm still trying
to find room for. The books over the doorway are
 all over a hundred years old. Play scripts are the first
section beside the door.


But my hubby isn’t one to do things by halves. We realized that we’d have some wasted space on the eastern wall so our solution was to “turn” the bookshelf so it would wrap around that corner and give a little more shelf space. However, I went to my day job on the day he was framing things up and when I got home, he’d done the same to the western wall, even though it meant a six-foot extension. He said it just made sense to him.

I’m glad it did. When we unboxed the books to put them on the new shelves, we thought we’d have lots of space left over.
Obviously we didn’t.

We filled nearly every inch of every shelf.

And it’s only gotten worse. We’ve gotten to the point that, in order for a book to be added, a book has to go. Talk about dilemmas!

Shakespeare starts on the right. Next section is science
 fiction. First section facing you is fantasy and
the section near the door is biography, philosophy
comedy and gardening. Eclectic!
Because that’s where the history of our lives comes in. My husband originally planned to be a Roman Catholic priest, but left the seminary when he fell in love with me (blush). He still has two full shelves of philosophy books and isn’t willing to part with any of them. They are an interest of his (he’s still more likely to pick up and finish a book on belief systems than any other type of book) and an important part of his life.

Then there’s the entire six-shelf section of play scripts. We were both theatre majors and he is a  theatre director. My daughter is a stage manager (and currently in-between jobs – if you have one, she also does scenic painting and lighting design). Just yesterday my husband was looking for a play to direct this autumn and came to that set of shelves to browse. Books on theatre have spilled over to a seventh shelf of oversized ones.

Let’s not forget the six shelves of Shakespeare editions and commentaries. A group of us, just out of college and unemployed, decided not to wait for opportunity. We created our own theatre troupe and talked Sonnenberg Gardens in Canandaigua into letting us perform. They paid for the dry cleaning of our costumes (which I made) and allowed us to pass the hat after each performance for our money. Three of us, a good friend, Larry Woodhouse, my husband and I owned the company and we performed at Sonnenberg for eight years. That set of shelves represents not only our love of Shakespeare, but some fun memories as well.

Science fiction and fantasy. Two separate genre that often get shelved together in libraries and bookstores. Each gets its own space in our study. Both are among my favorite genre to read, although I confess to a preference for fantasy. As a result, the fantasies have started to encroach on the science fiction. In a normal house where the shelves didn’t tell stories, this might be all that was on the shelves.

Biographies. I enjoy reading bios as well – people’s stories have always fascinated me. Probably why I first tried to become an actress and now write stories. This section has seen the most culling out. I finally decided I could only keep the stories of actors and actresses and a few historical figures (sorry, John Adams is one of my favorites. I have several biographies of him and they stay and that’s final!). I also kept the first biographies I ever got – one of George Washington and one of Alexander Hamilton – because they’re a part of who I am. They’re my history.

What’s left? Everything else. Although I prefer fantasy, I read everything. Classics and mysteries (Poe and I share a birthday. Is it any wonder I went literary with my life?), pulp novels and non-fiction. A small collection of poetry, some anthologies. Emily Post for when I need a point of etiquette. What are the criteria for shelving in this section? Whatever flops my mop. It has to be good enough for me to say, “yeah, I want to keep this.”

You’ll notice there’s very little in the way of romance on my shelves. Most of those I read and pass on. I’ve kept a few, but mostly, no. There’s no erotic romance because I buy those as ebooks. At first that was a conscious decision because I had small children, then growing, curious children. Now it’s a matter of habit. So nothing on the shelves I couldn’t share with my mother.

You will also notice the knickknacks. Each of these also tell a story and each is placed where it is for a reason.

I started by saying that, to browse our bookshelves is to browse our history. You want to know me and my family? Come visit and we will spend an hour or two in this room. My husband is reflected in it. My daughter has added to the collection, my son is currently reading through all the science fiction (although he prefers audiobooks. He’s so excited when he discovers the book he’s currently listening to is one we have on the shelves and that I’ve read it.) This room is our collective heart.

What we choose to keep and what we choose to pass on or throw away is part of what makes us who we are. These books are me. Each of them has changed me in some way and I keep them to remind me of those changes.

If you want to know some of the stories, +1 this if you’re reading it through Google, re-tweet the post if you’re on Twitter, send me an email or leave a comment below and I’ll write some short stories.

In the meantime, take a look at your own bookshelves. What stories about you do they tell? What is your criteria for keeping a book vs. passing it along? Tell us a story!

Play safe!
Diana, who plans to spend this rainy day curled up in that wing-backed chair reading a book....





Tuesday, August 13, 2013

Make your characters clean!

Cleaning is on my mind lately (to see why, read the end of this blog post) and, like most activities, it's gotten me to thinking about my characters and their plots.

If you read most romance novels, the heroines rarely clean. Personal hygiene, yes. We see them taking showers, washing their hair, their hands, their faces. But clean up the house? Maybe load a dishwasher once in a while, but run a vacuum? Clean out a closet? Heaven forbid...dust??? Never.

Mostly that happens because these stories are, at their heart, fantasies. We both clean up and clean out in real life, who wants to clean in a fantasy? Either make a servant do it or have a house that magically cleans itself. Or, if you're Hermione Granger, give her a wand and her own magical powers to make clean-up as simple as a wave of the wand.

Even in realistic fiction, cleaning an apartment or house rarely happens. As readers, we know it must, but that action isn't shown because most writers deem the activity as mundane. Normal. Boring. When it is mentioned, it's often only in passing. In Secret Submission, Sarah makes reference to washing dishes several times. "Again she helped him with the dishes, folding the towel and hanging it when they were done." But it isn't an action we see until later in the story.

Of course, there are entire plays that become movies that become television shows where the main point of conflict circles around one person who leaves things where they land and another prefers the apartment to be neat and tidy. I'm talking, of course, about Neil Simon's The Odd Couple. Roseanne also used cleaning (or the lack thereof) as a way to portray character.

Notice, however, the clutter in both those shows is played for comedy. We laugh because we see ourselves in these characters. Some of us don't mind dust in the corners and the shoes in the middle of the floor. Some of us prefer neat, clean lines and no clutter of any sort. The subject is mundane enough for the audience to feel comfortable enough to watch and laugh at the juxtapositions of the two extremes.

Activity

So here's your challenge this week. Write a scene in which your protagonist - not a side character, not someone minor, but your main character, the most important person in the story - cleans. You define "clean" (my children and I have very different definitions!) and decide what's getting cleaned: a closet, a living room, the dishes. Make it interesting. Make us care about what he/she is doing. Make cleaning important.

Or sexy.

I don't usually use these workshops as promotion for my own books, but I'm making an exception today since I have a scene that fits the assignment that I can use as an example. WARNING: the scene is erotic romance. Read only if you want to see one way of turning a normal, every day task into something sensuous and arousing. Take a look at a Secret Submission excerpt.

Alternately, write a scene in which your protagonist and another character have a disagreement about cleaning up or cleaning out. The trope of the woman wanting to toss out something of the man's is as well-known as the conflict between Felix and Oscar, but both can be given new twists.

Go on! Have some fun letting your characters do the clean-up chores while you watch them work. Beats getting out the dustcloth any day!

If you're finding these workshops useful, please make a donation. If the link below doesn't work, let me know at diana @ dianahunter.net (without the spaces).

Diana






Monday, August 12, 2013


Secret Submission
Excerpt
by Diana Hunter
published by Ellora's Cave
All Rights Reserved



Dinner done, Phillip helped her clear. “You wash tonight, slave.” Dutifully, she filled the sink with soapy water and began the chore. He dried, but had fallen silent. In quiet peacefulness, the two worked to clean the kitchen and do the dishes.

She was on the second to last pot when he put down his towel. So busy was she in scrubbing a tough spot, she did not notice him take off his shirt. Not until he stepped behind her, his body touching hers, did he get her attention. His hands rested on her shoulders a moment, then followed her arms, all the way down into the soapy water. Her breath caught and her knees weakened a bit as she felt his fingers entwining with hers.

Gently he took each of her hands and, with her holding the scrubber, he guided her hands, slowly cleaning the pot together. Around and around the rim he guided her, then deep into the pot itself; his hands sensuous in the slippery water. The pot clean, he helped her to lift it and rinse it, his hands caressing hers, his head dipping to kiss her neck.

Only the wok was left and she lifted it into the water. Again his hands encircled hers as she washed around and around the pot, her eyes following the movement of their hands, her body unconsciously moving as she became more and more aroused. He set her hands deep in the water and lifted the wok, rinsing it and setting it in the drainer to dry. Reaching into the dirty water, he pulled the plug, letting it go. Then soaping his hands with fresh soap, he lathered them. Full of suds, he took her hands in his again, washing the grease and old soap from them.

Her head fell back on his shoulder as he washed her hands. Never before had washing dishes been erotic to her. Now she would remember this moment every time she so much as rinsed a dish at home. He turned on the tap and rinsed her hands, setting them back in the sink when they were clean.

Running his wet hands up her arms, he watched the goose bumps rise on her skin all the way to her shoulders. “Spread your legs for me, slave.”

She shivered at his words and moved her legs apart for him.

“Lean into the sink and present yourself to me.”

Trembling, she leaned forward until her elbows were almost touching the bottom of the sink. Her ass was high and she knew how open she was for him.

“Looks like my slave likes this position,” he remarked. “Your pussy lips are already open, inviting me in.”

Her breath quickened as he stepped up to her again and bent down to whisper in her ear. “I am going to take you here, slave. I am going to use you right here at the sink.”

*****
You can purchase this book here (and read another excerpt, too!)

quick post

Very shortly an excerpt from Secret Submission will show up on this blog. That's only because I'm referencing it in tomorrow's writing workshop and need the page to be already live in order to link to it.

In other words, take no notice of the author behind the computer. Read the excerpt today or tomorrow as you will.

I now return you to your regularly scheduled activities.

Diana, trying to be efficient and not entirely succeeding...

Friday, August 09, 2013

New cover and catching up

New Cover

In case you haven't seen it yet, Cabin Fever has a new cover. Ellora's Cave is getting rid of their old Poser covers (finally!). While I liked the layout of the original, this cover has a much sexier look, don't you think?

This story was a challenge to write because it only had the two main characters and, for the most part, a single setting. In order to keep everything straight in the cabin itself (where all the furnishings were, where the doors were), I drew myself a map of the interior layout.

I also had to do a day-by-day plotting as I wrote, in order to keep my timeline believable. Because the internals didn't change (the characters or the setting), it was easy to become lost in time and think only a day had gone by when it had been over a week. I'm a pantster when writing the first draft, but for this book I found I needed to keep a running record in order to keep their stories straight.

A few reviewers have taken exception to the ghost couple that make several appearances in the book. Their complaint was that they weren't needed; they distracted from the main story.

I don't know about that.  I kinda liked the idea of lovers separated by distance and tradition who finally get together through their grandchildren. What do you think? Should I have just bagged that part of the story and concentrated only on Daniel and Isabella?

Feel free to write a review that agrees with or disagrees with the others. And leave comments on EC's site about the cover, too! Let them know what you like.

Catching up

I've finished the still-unnamed Christmas story. It lacks only a title and a cover and will be released just after Thanksgiving. This is a self-published work that's unlike anything else I've ever written. Still erotic romance, still with a BDSM kink...just a very different type of storytelling. Look for it in November.

I'm also writing what I suspect will be a long short story or a short novella revisiting Phillip and Sarah Townshend from Secret Submission and Submission Revealed. This September marks the ten-year anniversary of Secret Submission's release and I thought it would be fun to take a look at those two ten years later. SPOILER ALERT: They got married at the end of Sub. Revealed...are they still married ten years out? I'm writing the story to find out!

On a personal note:

My parents have made the decision to sell the house and move into an apartment. They moved out of the house I grew up in nearly twenty years ago, so I have no attachment to the structure, but it's still hard watching them make tough decisions as to what they can take with them and what has to go. Some things will be passed to us kids (there are three of us; I have a brother and a sister). Other things will go to a charity. Still others will be sold off in a tag sale.

Why am I telling you this? Because sometimes real life gets in the way of one's writing. I'll be spending a lot of time with them, helping them pack, helping them make decisions, helping them move. I'm glad I finished the Christmas story early because my late-summer, early-autumn will be taken up by all this.

This is a good move for them. They're moving to an apartment complex designed for senior citizens. There will be people there to check up on them and there's a pull-cord in every room for emergencies. There isn't a yard to deal with or maintenance of a large house to tire them out. It's the right thing for them to do.

It's also a hard thing for them to do.

Play safe, everyone!
Diana