According to Mike Palmquist in his book Joining the Conversation, Writing in Collegeand Beyond, there are six basic roles the non-fiction writer plays: the Observer, the Reporter, the Interpreter,
the Evaluator, the Problem Solver, and the Advocate.
In fiction, however, these writing situations are often
ignored. We think we have a single purpose: to entertain; that we have no other
reason for writing a good story than to write a good story.
When it comes to character, though, we shouldn’t ignore
these roles. Think about the books you’ve read. How often have you been moved
to consider a deeper philosophical question brought up in a fiction work
because a character played the role of the Advocate? Viewed a problem in a new
light when a character became the Observer? Thrown a book across the room
because the unthinking masses adopted the villain’s role as Problem Solver as
the correct path?
Over the next few weeks we’re going to take each of these
writing situations and look at them in depth from a fiction point of view. How
can you use all that academic writing you learned in college and put it to use
inside your own stories? It’s easier than you think.
Today we’ll start with the Observer, then next week take on
the part of the Reporter, and so on. Ready?
Diana
Diana
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